Twenty-six visual artists from various parts of the province took part in the first “Tradition, Art and Heritage” muralist meeting, held March 27 to 29 in Uquía. The event was organized by the international movement “Muralistas Italo Grassi” and brought together painters to create murals depicting the Stations of the Cross throughout different areas of the town.
The murals were designed as a Lenten itinerary for visitors and residents to follow, reflecting on each station according to Holy Week traditions. The initiative was led by Joshué Aquino, head of the local commune, who received praise from neighbors for supporting the project. Residents contributed materials and assistance so that artists could complete their work.
The stations were painted by teams or individual artists representing towns such as San Salvador de Jujuy, Caimancito, Libertador General San Martín, El Aguilar, Calilegua, Palpalá, San Pedro de Jujuy, Ledesma, Humahuaca and Uquía itself. Each station—from Jesus being condemned to death through his burial—was assigned to specific artists. Two local artists are set to complete Station 8: Jesus consoles the women of Jerusalem.
The artistic route begins at Capitán Uyuni street and continues along Viltipoco, 2 de Junio, Gaucho Quebradeño and Belgrano streets before ending at the church. During three days of work on this project, organizers provided accommodation for visiting artists as well as transportation and meals. Materials were also supplied by local authorities with additional support from neighborhood groups and residents.
Gustavo Sánchez from Culture and Tourism said: “All expenses for this artistic initiative were covered entirely by the commune.” He noted that provincial authorities declined support but that did not prevent completion of the project: “They gave us absolutely nothing but we still managed to carry out our plan,” he said.
Folklorist Bruno Arias contributed with a free performance during lunch service for participating artists at a municipal inn last Saturday. Sánchez thanked all young painters involved in what he described as an experience that broadened their perspectives on faith.
